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Submissions from 2017

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Puntos de partida, T. Dorwick, Ana M. Pérez-Gironés, and A. Becher

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Francisca Vilches-de Frutos, Pilar Nieva-de la Paz, José-Ramón López García y Manuel Aznar Soler, eds., Género y exilio teatral republicano: entre la tradición y la vanguardia, Bernardo Antonio Gonzalez

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Review of student films from the Centro Sperimentale-Rome, Centro Sperimentale-Milan, and DARvipem-University of Bologna, 2015-16, Ellen Nerenberg

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Le Merveilleux, le pseudo-merveilleux et l’énigme, Jeff Rider

Submissions from 2016

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Ironías de la ejemplaridad, milagros del entretenimiento en el Persiles (Feliciana de la Voz, Persiles III.2-6.447-484), Michel Armstrong Roche

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Review on Rameau’s Nephew (Editor: M. Hobson. Translators: K.E. Tunstall and C. Warman), Andrew Curran

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H-France Forum, Andrew S. Curran

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Global Genres, Local Films: the Transnational Dimension of Spanish Cinema, Bernardo Antonio Gonzalez

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Review of "El Teatro Pánico de Fernando Arrabal" by Diego Santos Sánchez, Bernardo Antonio Gonzalez

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Un apologiste abolitionniste : l’abbé Bergier et les nègres de 1767 à 1789, P. Graille and Andrew S. Curran

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Penny Dreadful, Ellen Nerenberg

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Review of Risques et regrets. Les dangers de l‘écriture épistolaire, Catherine Poisson

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Positive Emotions in the Arthurian Lais of Marie de France, Jeff Rider

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The Gentle Genius of Cécile Périn, Norman Shapiro

Submissions from 2015

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Making Sense of a Father’s Death (With Baudelaire’s Help), Andrew S. Curran

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The Dangerous Liaisons of Spain and Africa: Hybridity and Immigration in Contemporary Spanish Cinema, Bernardo Antonio Gonzalez

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Poetry of Haitian Independence, D. Y. Kadish, D. Jenson, Norman Shapiro, and E. Danticat

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A View from Elsewhere?, Ellen Nerenberg

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Co-Creativity, Cadences, and Collaborations: An Interview with Roberto Perpignani, Ellen Nerenberg

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Review of student films from the Scuola Nazionale and the University of Bologna, 2013, Ellen Nerenberg

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Mirror Neurons, Simulacra, and Imagining the Past, Jeff Rider

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Fe-Lines, Norman Shapiro

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Four Cats and a Dog, J. Willart de Grécourt, M. Bataille, E. Guillevic, C. Baudelaire, N. Bonaparte, and Norman Shapiro

Submissions from 2014

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From Lorca to Liddell: The Emergence of Postdramatic Theater in Spain, Bernardo Antonio Gonzalez

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Composing a Historical Compilation in the Twel h Century: e Author’s Manuscript of the Genealogia Flandrensium comitum (or Flandria Generosa) from Saint-Bertin, Jeff Rider

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Introduction to Robert Guiette : “Formal Poetry in France in the Middle Ages” and “The Adventure of Formal Poetry”, Jeff Rider

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Le Merveilleux et la spiritualité dans l’œuvre de Chrétien de Troyes, Jeff Rider

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The Bible as Narrative Model for Galbert of Bruges, Jeff Rider

Submissions from 2013

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Recuerdos de Francisco Márquez Villanueva, Michael Armstrong-Roche

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Le Lai du conseil, B. E. Grigoriu, C. Peersman, and Jeff Rider

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Les métamorphoses historiographiques chez Jean Molinet, Jeff Rider

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The Murder, Betrayal, and Slaughter of the Glorious Charles, Count of Flanders, Norman Shapiro

Submissions from 2012

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Staging Armed Resistance: The Maquis in the Theater of Antonio Martínez Ballesteros, Bernardo Antonio Gonzalez

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Auguste Lussan’s La Famille Créole: How Saint-Domingue Emigrés became Louisiana Creoles, Typhaine Leservot

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Henri Pirenne at Work: Editing Galbert of Bruges, Jeff Rider

Submissions from 1997

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Fifty Fables of La Fontaine, J. de La Fontaine and Norman Shapiro