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Submissions from 2017

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Essay on "Get Your Man," a newly restored silent film directed by Dorothy Arzner and starring Clara Bow and Charles "Buddy" Rogers, Jeanine D. Basinger

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The Ideal Timing of Gene Kelly, Jeanine D. Basinger

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The Working Woman in the Modern City: Mikio Naruse’s Street Without End, Lisa A. Dombrowski

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Further Thoughts on Play and the Sound Serial, Scott Higgins

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Pathos of the Failed Embrace: Frank Borzage’s Lazy Bones, Scott Higgins

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The Inevitability of Chance: Time in the Sound Serial, Scott Higgins

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Kraus the Mouse? Kafka's Late Reading of Die Fackel and the Vagaries of Literary History, Leo A. Lensing

Submissions from 2016

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Dead Pigeon on Beethoven Street, Lisa A. Dombrowski

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Matinee Melodrama, Scott Higgins

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The Silent Screen, 1894–1927: Editing, Scott Higgins

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Fritz Lang, Man of the Eye, Leo A. Lensing

Submissions from 2015

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Flesh and the Devil: the On-Screen Magic of Garbo and Gilbert, Jeanine D. Basinger

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Introduction to The Life and Times of Mickey Rooney, Jeanine D. Basinger

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Art, Film As, Scott Higgins

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Animal Acts, Leo A. Lensing

Submissions from 2014

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Book Review: ‘The Scarlett Letters’ edited by John Wiley, Jr., Jeanine D. Basinger

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I Do and I Don’t, Jeanine D. Basinger

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Mary Lea Bandy (1943–2014), Jeanine D. Basinger

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Post-war Hollywood (1947-1967), Lisa A. Dombrowski

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Review of "The $11 Billion Year: From Sundance to the Oscars, an Inside Look at the Changing Hollywood System" by Anne Thompson, Lisa A. Dombrowski

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Logic is the Cure, Meet the Disease: The Melos of Cobra,, Scott Higgins

Submissions from 2013

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Chromo-Drama: Innovation and convention in Douglas Sirk’s Color Designs, Scott Higgins