Effecting Dynamic Cultural Exchange Through the Performing Arts: Three Case Studies of U.S. Exchange with Asia

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<p>The concept of dynamic cultural exchange transcends the constraints of national and regional boundaries, histories, religions, and politics. It acknowledges, at once, the differences and commonalities of distinct cultures while recognizing the validity of each. The goal of effecting dynamic cultural exchange through the performing arts is not to produce a melting pot of exotic spectacles. Rather, it is to create a medium for human interaction and understanding through the preservation and presentation of distinct cultural performances. Both artists and audiences are integral to this exchange.</p> <p>To encourage this relationship of artists and audiences without borders, the assembly of a transnational presentation team sourcing expertise in the cultural and presentation practices of each culture is fundamental to the realization of such projects. This paper identifies innovative practices for dynamic cultural exchange through the performing arts by way of a focused analysis of three cases of U.S. exchange with <em>Asia: Festival of Indonesia In Performance</em> (1990-1992), <em>Dance</em>, the <em>Spirit of Cambodia</em> (2001), and <em>Season of Cambodia</em> (2013).</p>

    Item Description
    Name(s)
    Thesis advisor: Cooper, Rachel
    Date
    May 01, 2017
    Extent
    120 pages
    Language
    eng
    Genre
    Physical Form
    electronic
    Rights and Use
    In Copyright - Non-Commercial Use Permitted
    Digital Collection
    PID
    ir:2395