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Submissions from 2017

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A Body, Undone, Christina Crosby

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My Lost Body: The Radical Claim of Militancy and Mourning, Christina Crosby

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You Have to Read First, Matthew C. Garrett

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Women’s Involvement in Theatrical Production, Natasha Korda

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In Praise of Clean Linen: Laundering Humours on the Early Modern English Stage, Natasha Korda and Eleanor Lowe

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"A Promissory Note with a Trick Clause": Legend, History, and Lynch Law in Requiem for a Nun, Sean McCann

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Life Chances: Orange is the New Black and Drama of Privilege, Sean McCann

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’My Ghost Life’: Russell Banks and the Limits of Aesthetic Democracy, Sean McCann

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Review of John Goodridge and R. K. R. Thornton, John Clare, The Trespasser, Stephanie K. Weiner

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Review of Simon Kövesi and Scott McEathron, eds., New Essays on John Clare: Poetry, Culture and Community, Stephanie K. Weiner

Submissions from 2016

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Four Short Memoirs, Lisa Cohen

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In Books, a Lifeline, Christina Crosby

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"We Are Looking for Positives Here": Seeking Intersections of Pain, Grief, and Disability, Christina Crosby

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The Ideal Rock N’ Roll Song is 3 Minutes Long, Rachel Ellis Neyra

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An Imperial Syllabus, Matthew Garrett

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Ethics of the Off-Center, Adina Hoffman and Lisa Cohen

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Shakespeare's Laundry: Feminist Futures in the archive, Natasha Korda

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“I’m So Sorry”: A Little Life and the Socialism of the Rich, Sean McCann

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What’s the Matter with Cancer Alley? Arlie Russell Hochschild’s Anatomy of Trumpism, Sean McCann

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Diaspora as Empire in the Hebrew Deeds of Alexander, Ruth Nisse

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Power Literacy: Nineteenth-Century American Indians and the Uses of Class, Respectability, Spiritual Authority, and Media, Joel Pfister

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Review of "Walden’s Shore: Henry David Thoreau and Nineteenth-Century Science", by Robert M. Thorson, Joel Pfister

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Slavery and Historical Memory in Late Twentieth-Century Fiction, Ashraf Rushdy

Submissions from 2015

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Free the World and Your Ass Will Follow, Sally Bachner

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Acute, Attenuated, Lisa Cohen

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Fashion Backward, Lisa Cohen

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Joan Jonas: All at Once, Lisa Cohen

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Review of "Epic in American Culture: Settlement to Reconstruction", by Christopher N. Phillips, Matthew Garrett

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Review of Omens of Adversity: Tragedy, Time, Memory, Justice", by David Scott, Matthew Garrett

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Review of "Settler Common Sense: Queerness and Everyday Colonialism in the American Renaissance", by Mark Rifkin, Matthew Garrett

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Subterranean Gratification: Reading after the Picaro, Matthew Garrett

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Afterword, Natasha Korda

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How to Do Things with Shoes, Natasha Korda

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‘Investing in Persons’: The Political Culture of Kennedy Liberalism, Sean McCann

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Structures of Feeling, Sean McCann

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Surveyors of Customs: American Literature as Cultural Analysis, Joel Pfister

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A Guilted Age: Apologies for the Past, Ashraf Rushdy

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Reflections on Indexing My Lynching Book, Ashraf Rushdy

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The Quality of Diaspora, Ashraf Rushdy

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Arthur Symons, Stephanie K. Weiner

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John Clare, Stephanie K. Weiner

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About the Author, Elizabeth Willis

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Alive: New and Selected Poems, Elizabeth Willis

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Coup & Bell Curve, Elizabeth Willis

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Interview with Leonard Schwartz on "Cross Cultural Poetics", Elizabeth Willis

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On 'Steady Digression to a Fixed Point', Elizabeth Willis

Submissions from 2014

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Artists on Artists: Michele Araujo, Lisa Cohen

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A Sugar Artist Leads a Cake Walk Through Central Italy, Lisa Cohen

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Seams, Hems, Pleats, Darts, Lisa Cohen

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Insubstantial Pageants: Women’s Work and the (Im)material Culture of the Early Modern Stage, Natasha Korda

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Review of "“Grossly Material Things”: Women and Book Production in Early Modern England", by Helen Smith, Natasha Korda

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Unstable as water, Ruth Nisse

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American Lynching, Ashraf Rushdy

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Clare's Lyric, Stephanie K. Weiner

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Ephemeral Stream, Elizabeth Willis

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Notes to and From a Landscape: On Hell, Fire, & Brimstone, Elizabeth Willis

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Oil and Water, Elizabeth Willis

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"Self Portrait with Imaginary Brother" and "Oil and Water", Elizabeth Willis

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Watertown Is Ninety-Nine Percent Land, Elizabeth Willis

Submissions from 2013

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Coverture and Its Discontents: Legal Fictions On and Off the Early Modern English Stage, Natasha Korda

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The Sign of the Last: Gender, Material Culture and Artisanal Nostalgia in Dekker’s The Shoemaker’s Holiday, Natasha Korda

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An Apology for the African Diaspora: Race Regret and Reconciliation, Ashraf Rushdy

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Contingency and constraint in the discourse of ‘Diaspora as a resource’, Kachig Tololyan

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Inner Space: Minds and Bodies, Stephanie K. Weiner

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Interview with Sean Patrick Hill, Elizabeth Willis

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R. D. / H. D, Elizabeth Willis

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Sonnet 63, Elizabeth Willis

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Survey, Elizabeth Willis

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"The Witch" and other poems, Elizabeth Willis

Submissions from 2012

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Are You Popular? Dating, Gender, and the Double Coding of Rock and Roll, Harris A. Friedberg

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The Psychoanalytic Corner: Notes on a Conversation with Peter Gay, Michael S. Roth

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A 'Foundation in Nature': New Economic Criticism and the Problem of Money in 1690s England, Courtney Weiss Smith

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Political Individuals and Providential Nature in Locke and Pope, Courtney Weiss Smith

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Autobiographia Literaria, Elizabeth Willis

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Black List, Elizabeth Willis

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Bulfinch, Elizabeth Willis

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Entanglement Register, Elizabeth Willis

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Passages: Adrienne Rich, Elizabeth Willis

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"The Similitude of This Great Flower," "The Oldest Part of the Earth," "Viewless Floods of Heat," and "Near and More Near", Elizabeth Willis

Submissions from 2011

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The Liquid Life: Money and the Circulation of Success after Franklin, Matthew Garrett

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Energizing the Elemental: Notes on a Conversation with Carl E. Schorske, Michael S. Roth

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The Witch, Elizabeth Willis

Submissions from 2009

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Photographic Ambivalence and Historical Consciousness, Michael S. Roth

Submissions from 2008

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Does Anse Bundren Love His Wife? Gifts, Promises, and Obligations in As I Lay Dying, Sean McCann

Submissions from 2007

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Dark Passages: Jazz and Civil Liberty in the Postwar Crime Film, Sean McCann

Submissions from 2006

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Therapy for a Wounded Nation, Sean McCann

Submissions from 2005

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Do You Believe in Magic? Literary Thinking after the New Left, Sean McCann and Michael Szalay

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Introduction: Paul Potter and the Cultural Turn, Sean McCann and Michael Szalay

Submissions from 2003

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The Cruelty of Zora Neale Hurston, Sean McCann

Submissions from 1999

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The Ambiguous Politics of Politicizing, or De-Politicizing, the Aesthetic, Sean McCann

Submissions from 1995

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"A Roughneck Reaching for Higher Things": The Vagaries of Pulp Populism, Sean McCann