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Submissions from 2018

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"Her old, old language of words that are not words": Haunting, Trauma, and History in the Works of Jean Rhys, Isabel Anne Bartholomew

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Bill & Stephanie & The Dramaturgy of Listening: Understanding Theatrical Aurality Through Annie Baker's Plays, David Lovshin Caruso

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Lives Being Language: Reading Rosmarie and Keith Waldrop, Elizabeth Frances Cettina

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A Bastard Form: The Problem of Celebrity and the Rise of the New Journalism, Danielle Irene Cohen

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More Later, Sam Friedman

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Language Recorded 12/25, Juliet Isadora Gelfman-Randazzo

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A Place in the Sun, Matteo Heilbrun

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The Old-Man Slave and the Mastiff: A Translation of Patrick Chamoiseau, Aryeh Thiery Lieber

Structure, Andrew Dana Logan

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Sentimental Devices and New Domesticities in the Contemporary Novel, Yao Ong

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Derivations in Perspective, Kate Genevieve Pappas

Blood and Bones, Lucia Proctor-Bonbright

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"The Edge of Writing and Speech": Measuring Silence and Voice in the Works of Jean Rhys, Jamaica Kincaid, and Erna Brodber, Emma Jean Raddatz

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This Country: A James Baldwin Bibliomemoir, Dache Jordan Rogers

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"The Frightful Degradation of Manhood": Masculinity in Victorian Popular Fiction, Bodie Stone Shanis

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The Iris Hours, Curran Sean Sullivan

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Funny Papers, Emmet Patrick Teran

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The Dialectics of Text and Image in the Revolutionary Filmmaking of Godard, Farocki, and Marker, Vincent L. Warne

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Cyber-Subversion: Murakami's Cyborg and its Psyche, Joshua Solomon Wilson

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Redevelopment Remains: Encounters with Middletown's City-As-Archive, Louisa McFadden Winchell

Submissions from 2017

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The Young Ones Have Such Big Eyes, Emily Rose Apter

Notes on the Breach, Jeffrey Edward Bigman

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Journeys of Locatedness in The Poisonwood Bible and A Thousand Acres, Kate H. Bodner

Like a Name, Nora Jane Canby

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Material Remains, Sophie Helen Waldman Chabon

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Back When We Used to Get Rain, Sarah Evelyn Corner

Things Fit Inside Other Things, Jenny Davis

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"The Preservation of Memories, Histories, Fellowships, Fraternities": Thomas Hardy and the Victorian Restoration/Preservation Debate, Carolina Elices

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Monster/Machine: A Prosthesis To Patchwork Girl, Christopher Laurens Gortmaker

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Spectral Afterlife: Hauntology, Historical Memory, and Inheritance in Postmodernist Fiction, Catherine Emma Green

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Between the Blood Orange and Kumquat Trees, Veronica Rachel Harrington

The Woods Could Creep Inside at Any Moment, Torii Savannah Johnson

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The Death of Arthur: A Critical/Creative Approach to Fourteenth-Century Alliterative Poetry, Miranda Konar

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Generation Loss, Jonah Mark Lipton

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Memorial, Noah Forster Mertz

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Afterlives, Kathleen Allison Radigan

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The Lotus-Eater: My (Young) Life in Habits, Obsessions, and Addictions, Jack Harris Reibstein

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Binding Commonalities: The Chronotopes of "Infinite Jest", Zachary Roach

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The Days Ordained, Rachel Alexandra Santee

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What Little Life You Have, Avigayl Sharp

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The Laundry Room: A Creative/Critical Approach to Intertwining Disability with Intersectional Identities, Rachel Alexandra Sobelsohn

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Local Color: Configurations of Multiculturalism and Mixed-Race Identity in Hawai'i Literature, Maya Stevens

Twenty Questions Outside the Vacuum, Anna Nelen Strzempko

Submissions from 2016

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Burning Women, Louisa Ballhaus

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Holocaust Girls, Rebecca Elizabeth Brill

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Sites Unseen: The Literary Politics of 19th Century American Domestic Space, Margaret Kleanthe Curtis

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“She Is Not All There”: Performative Language, Gender, and Psychology in the Fiction of Jean Rhys, Anne Elizabeth Dade

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The Tragedies of Daisy and Violet: A Shakespearean Tragedy Inspired by the Lives of Daisy and Violet Hilton, Carly Brooke Feinman

Sun Damage, Quinn McDermott Frenzel

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From The Steps Of A Burning House: Blackness, Domesticity, and Fugitive Reading Practices, Juan Francisco Gallardo

Gabe, I Think You Might be a Sociopath, Gabriel Loren Gilbert-Lurie

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The Writers of Summer: Meta-Generic Commentary in Baseball Literature, Gregory Griffeth Goldstone

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Unyielding Love, Justin Ian Greene

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Articulating Matter: New Materialisms in Contemporary American Fiction, Ethan Meyer Hill

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The Year We Can't Walk, Markeisha Hill

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The Challenge of Empathy: Comedy in Jane Austen, Matthew David Kim

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Among Rhododendrons: People And Objects in James Joyce’s Ulysses, Lily Kong

Tit for Tat, Isabella Kursh

All Too Myself, David Michael Miller

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"A Different Kind of Poverty": Folk Rock and Therapeutic Counterculture, Lily Gibbs Taylor

In the Drafts of Silence: A Memoir, Kai Frances Wilson

Submissions from 2015

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Magic Lessons: The Influence of Contemporary Theories of Education on the Construction of Children's Fantasy Literature, Ronnie Lane Alvarado

Recoil, Billy Donnelly

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(Mad)Women in the West Indies: History and Identity in the Caribbean Gothic, Sophia Amanda Franchi

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Aftermath: Three Stories, Sarah Marie Gerton

Brethren, Katherine Holton Gibbel

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Constructing Identity Through Narrative About Place: Transformations in California Society 1835-1885, Patrick Conor Glass

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Witness & Incantation, Madalena Kingsbury Henning

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London Psychogeographies: Three Moments, Calhoun Laimis Hickox

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This Bridge That Never Dissipates: Recreations of This Bridge Called My Back, 1981-2015, Paulina Constanza Jones-Torregrosa

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A Tumultuous Sea of Human Heads: Detective Fiction and the Mystery of the Crowd, Rebecca Ahn Michelson

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Breaking the Circle of the Plantation: Violence, Affect and the Ephemeral in Junot Díaz’s Afro-Caribbean Literary Imagination, Argelys Samuel Oriach

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Fear Springs Eternal: The Cold War, 9/11, and the Literature of Existential Fear, Julia Scott LePard Reed

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The Novel Globalized: Neoliberalism and the Brand in William Gibson and Thomas Pynchon, Benjamin Spiegel

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Deviant by Design: The Book and the Labyrinth, Julia Meredith Sufrin

Submissions from 2014

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As Written, Adam Ranen Bresgi

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The Early Works Of Ben Lerner, Aron Rafael Chilewich

Sex and the Symphony: Essays for a New Music History, Julia Arden Conrad

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Lively Green and Desart Wild: Nature and the Human Imagination in William Blake?s Songs of Innocence and of Experience, Elizabeth Maria Przybylski Deatrick

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War Opus: Art, Ideology and Ontology in William T. Vollmann's Europe Central, Philip Gaetano Dinolfo

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My Mother is a Hurricane, Anna FitzGerald Guth

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Coinage, Alec Jon Harris

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Sex, Violence, and the Fantastic: Mapping Sexual Violence Against Women in Gothic Novels, Meredith Warwick Hritz

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Constructing the Generation of 1914: Siegfried Sassoon, Robert Graves, and Virginia Woolf, Dana Leanne Leib

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The Dreaming Dead: Cinematic Revelations in Apocalypse, Anya Alexis Morgan

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Finding lost things , Ellen Coomey Schwed

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A City Within a City: African American Literary Regionalism in the Works of Gwendolyn Brooks and August Wilson, Sarah Hayley Faith Sculnick

Framing Self's Other: A Multimedia Autoethnography of Intergenerational Trauma, Elliana Gabrielle Sherwin

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Enacting a Queer Ethic of Writing: Sometimes Y, Haley Elizabeth Weaver

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The Waiting Room, Emily Elizabeth Weitzman

Submissions from 2013

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Una Herida Abierta: Reports for the U.S.-Mexico Border, Victoria Kallaigne McNamee Barron

Bishop Looking, Julia Caitlin Christie

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Read/Write: an Aesthetics of Harry Potter Fan Fiction, Caroline Cardner Clark

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A Partial Life, Liza Morrow Goodstein

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Bloodline, Jessica Camille Jordan

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The Middle Fringe: David Foster Wallace, Jonathan Franzen, and the American Novel, Nicholas Aaron Joseph

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Close to Me, Jason Adam Katzenstein

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In a Strange Room, Alexander Aakre Kelley

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Queer(y)ing Pentecostal Conversion and Lesbian Feminist Coming Out Narratives: A Redescription of Religion and Sexuality, Emily Irenne Kianka

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Wordsworth's Imagination: Three Critical Approaches and The Prelude, Kathleen Mary Lynch