Submissions from 2012
Aporia: Fatal Passion, the Sojourn to Infinitude, and the Historical Fracture of Aristotelian Convention in Jean Racine's Phèdre, Amanda Kelsey Dahlin
The Whore in All of Us: Transgressive Female Sexuality in the Works of Lydia Thompson and the British Blondes, Mae West, and Annie Sprinkle, Emily Elizabeth Steck
Echoes of a Timeless Lament: Euripides' Trojan Women as a War Play, Sarah Douglas Wolfe
Submissions from 2011
"Something for the Boys": An Analysis of the Women of the USO Camp Shows, Inc. and their Performed Gender, Samantha Joy Pearlman
Confronting Evil on the Stage: The Immoral Villain as a Moral Figure, Emma Ariane Sherr-Ziarko
The Actor's Presence, Benjamin Scott Vigus
Submissions from 2010
A (Wo)man Apart: Charles Ludlam's Approach to Drag Performance, Mark Richard McCloughan
Marvelous Traces in Mundane Spaces: Finding Fantasy in Theater, Film, and Television, Allison Susan Rock
True on the Inside: Narrative Authenticity and Community in Irish Oral Performance, Ariela Morgan Rotenberg
Submissions from 2009
Presenting and Absenting Violence, Gedney Harrison Barclay
The Warrior-Hero on the Stage, Sean Michael Chin
The Masks of Mephisto in Twentieth-Century German: Gustaf Gründgens, The Actor and the Legend, Jessica Crystal Green
The Phenomenal Presence of Invisible Legs: Beckett and the Actor, Annie Michael Paladino
Submissions from 2008
The Edge Spaces: Intertwining Roles of Ritual and Performance, Victoria Noel Amoscato
Performing Past and Present: Mask and the Living Archetype, Edward Belser Bauer
Disrupting the Social Script: The Unwelcome Transgressions of Avant-Garde Performance, Nicolas Miller Benacerraf
"Special Proportions of Height and Depth:" Antonin Artaud and the Search for a Grammar of Space, Zachary Auston Bruner
America's Madwomen: Jewish Female Comedians in the 20th Century, Grace Kessler Overbeke