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Submissions from 2017

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Who Is Listening?: Everyday Performance of Music on Hold, Anthony Sertel Dean

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Performing Memory in Complicite’s Mnemonic, Ali Jamali

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Another Fucking High School Musical: An Exploration of Adolescent Female Archetypes in Contemporary, Commercial Musical Theater, Maia Golden Nelles-Sager

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The Laundry Room: A Creative/Critical Approach to Intertwining Disability with Intersectional Identities, Rachel Alexandra Sobelsohn

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Through Everchanging Tracks of Neverchanging Space: Staging James Joyce¿s Ulysses as a Spatial Practice, May Tina Treuhaft-Ali

Submissions from 2016

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"Like No One I Ever Saw Before": Fun Home as Broadway's Lesbian Interruption, Aileen Jennifer Lambert

Submissions from 2015

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Reanimating Theater for a Contemporary Audience: Multimedia Projections and Visual Dramaturgy in the Postdramatic Theater, Cicily Clare Gruber

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The Pamela Smart Media Circus: Sensationalizing Crime In Televised Media, Sara Guernsey

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A Paradise on Earth: Exploring the Actor-Spectator Relationship in Genroku Era Kabuki Performances, Grace Holland

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Ida, A [Performative] Novel and the Construction of Id/Entity, Katherine Grace Malczewski

Submissions from 2014

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Navigating Shared Space: Audience Agency and Passivity in Environmental and Immersive Theater, Emeline Wong Finckel

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Freak, Out! : Disability Representation in Theatre, Emma Toll MacLean

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?Watch Me Vanish?: Dramatizing Depression in Contemporary Playwriting, Natalie Lauren Sacks

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"What is a piano that does not sound?": The Women Playwrights of Teatro Abierto, Claire Landau Whitehouse

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Adaptation to the Musical Theater Form, Sarah Dylan Zwickel

Submissions from 2013

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"Hell is Other People": Exploring the Audience-Actor Relationship in Hell House Performances, Lily Elizabeth Haje

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"In This Last Tempest": Narratives of Dying Well on the English Stage from the Moralities to Shakespeare, Nicholas Stephen Orvis

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A Sense of Place: wayang kulit in Bali and wayang listrik in America, Tessa Charlotte Prada Young

Submissions from 2012

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Aporia: Fatal Passion, the Sojourn to Infinitude, and the Historical Fracture of Aristotelian Convention in Jean Racine's Phèdre, Amanda Kelsey Dahlin

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The Whore in All of Us: Transgressive Female Sexuality in the Works of Lydia Thompson and the British Blondes, Mae West, and Annie Sprinkle, Emily Elizabeth Steck

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Echoes of a Timeless Lament: Euripides' Trojan Women as a War Play, Sarah Douglas Wolfe

Submissions from 2011

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"Something for the Boys": An Analysis of the Women of the USO Camp Shows, Inc. and their Performed Gender, Samantha Joy Pearlman

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Confronting Evil on the Stage: The Immoral Villain as a Moral Figure, Emma Ariane Sherr-Ziarko

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The Actor's Presence, Benjamin Scott Vigus

Submissions from 2010

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A (Wo)man Apart: Charles Ludlam's Approach to Drag Performance, Mark Richard McCloughan

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Marvelous Traces in Mundane Spaces: Finding Fantasy in Theater, Film, and Television, Allison Susan Rock

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True on the Inside: Narrative Authenticity and Community in Irish Oral Performance, Ariela Morgan Rotenberg

Submissions from 2009

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Presenting and Absenting Violence, Gedney Harrison Barclay

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The Warrior-Hero on the Stage, Sean Michael Chin

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The Masks of Mephisto in Twentieth-Century German: Gustaf Gründgens, The Actor and the Legend, Jessica Crystal Green

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The Phenomenal Presence of Invisible Legs: Beckett and the Actor, Annie Michael Paladino

Submissions from 2008

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The Edge Spaces: Intertwining Roles of Ritual and Performance, Victoria Noel Amoscato

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Performing Past and Present: Mask and the Living Archetype, Edward Belser Bauer

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Disrupting the Social Script: The Unwelcome Transgressions of Avant-Garde Performance, Nicolas Miller Benacerraf

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"Special Proportions of Height and Depth:" Antonin Artaud and the Search for a Grammar of Space, Zachary Auston Bruner

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America's Madwomen: Jewish Female Comedians in the 20th Century, Grace Kessler Overbeke