Submissions from 2012
LOST MODERN LOVE Translation and Adaptation, Matthew Clemet Alexander
From Spassguerilla to Stadtguerilla: The Theory and Praxis of the West German Student Movement, Lynn Marie Heere
Submissions from 2011
A Woman Apart: Gender and Society in Selected Works of Irmtraud Morgner, Christa Wolf, Rainer Werner Fassbinder, and Heinrich Böll, Anya Crosby Olsen
Submissions from 2010
Judas Women: Ten Case Studies of Female Denunciation in the Third Reich, Linnea Katherine Damer
History and Theory after "Auschwitz", Sarah Kalen Flynn
Where German Hearts are Molded: Historical Memory and State Legitimation in the German Democratic Republic, 1945-1989, Heather Lee Stanton
Submissions from 2009
The Masks of Mephisto in Twentieth-Century German: Gustaf Gründgens, The Actor and the Legend, Jessica Crystal Green
Poetics of the Hieroglyph: Allegory and Media in E.T.A. Hoffmann's Fantastic, Andrew Patrick Kirwin
Submissions from 2008
As Nature Never Intended, Marianna Ocie Foos
Thinking Particularity: Scotus and Heidegger on Metaphysics, Evan Winter Morse
The Concert, Charles Anthony Witherspoon
Submissions from 2007
The End Never Comes: a Translation, Production and Performance of Wolfgang Hildesheimer's First Radio Play, Andrea Silenzi