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Submissions from 2017

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Pipe Dreams, Alexander Joseph Abrams

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I’ve Got a Theory, It Could Be Whedon: Understanding the Televisual Auteur, Allison Cronan

Like Mother, Like Daughter, Gabrielle Liu Ebron

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Chill Girls, Claire Marie Edelman

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Hold On to the Night, Nathanial Winston Gardner

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No Limits: Sex, Drugs, and Motherhood in the Showtime Dramedy, Benjamin Francis Lawson Goldberg

Mythos, William Everett McGhee

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The Name Is, Was, and Will Forever Be "Bond": Success and Longevity in Reinvention for the James Bond Film Franchise, Adam Ellis Mirkine

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Romance and Revenge: Gender and Genre in Contemporary Hollywood, Maia Golden Nelles-Sager

Neon, Thomas Hunter Ogden

Monty Hall, Ian David Rice

Distorted, Kiley Ann Rossetter

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Between Comedy and Despair: The House Style of Studio Shaft, Lucy Paige Rubin

Neighborly, Meghan Kayla Waitzer

Submissions from 2016

Extraños Patrones: The Films of Lucrecia Martel, Kieran Patrick Coyne

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HUSH, Sofia Yvette Davila

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Rule of Law, William Anton Fines

Exits and Entrances, Daniel Doyle Froot

I Love You Red, I Love You Blue, Noah Michael Le Gros

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Who Watches This Stuff? The Place of Morality in Film Criticism, Charles Alan Martin

oops, James Martin Newmyer

Pacifica, Ethan Jesse Quinn

Relinquishing The Frame; Storytelling in Virtual Reality, Daniel Benjamin Ramos

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The Netflix Effect: Impacts of the Streaming Model on Television Storytelling, Romil Anand Sharma

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Small World, Adi Slepack

Haunted, Mitchell Ian Stone

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New Here, Victoria Nicole Delespine White

Venue, Willie Zabar

Submissions from 2015

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Ithaca, Sarah Halle Corey

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Generation Z, Stephen Thomas Dodd

On Wax, Daniel Jacob Fuchs

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Finding Luxo: Discovering the Pixar Brand through Short Form Storytelling, Lillian Page Holman

Catalog, Jeffrey William Kasanoff

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Pro Patria, Nathaniel Jacob Klingher

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When Luck Runs Out, Noah Yacov Masur

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Imaginary, Michael Gregory Matthews

The Virus, Jordan Lourdes McSpadden

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A Comfortable Distance, Hannah Frances Rimm

Submissions from 2014

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Fiume, Hannah Claire Baker

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The Commissar's Daughter, Zoe Cohen Broad

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Sentiment and Spectacle: An Analysis of Narrative and Style in Peter Jackson?s The Lord of the Rings, Caroline Prager Conrad

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A Few Empty Chambers, Jonathan Douglas DeMaio

Submissions from 2012

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The Nazi, Douglas Martin Bensimon

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Intrigue, Blood, and Naked Breasts: Strategies of the Epic Series on Premium Cable, Sarah Carvin Shachat

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Goodnight, Sunshine, Miriam Smith-Drelich

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Smokin' Ocean, Zachary Jonathan Valenti

Submissions from 2011

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Corren, Rachel Johanna Cabrera

Submissions from 2010

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Approaching Trauma in Post- Dictatorship Argentina: Using Techniques of Fiction in Documentary Film to Recover from the Past, Sean Eva Burke

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Dig!, Michael DiPrisco

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Egg-Sucking, Chicken-Stealing Gutter Trash: Sam Peckinpah's Bad Men and Why We Love Them, Joshua Lee Gordon

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Road to Callisto, David Philip Kongstvedt

STRATOSPHERE: A Feature Screenplay, Kendall Kenehan McKinnon

A story of adventure that takes place in a distant galaxy on the brink of certain destruction. Caught in the midst of this galactic war is our protagonist, a young man who must uncover the secrets to the lost and fabled Cosmic Ark before everything he's ever known is gone forever. Casting personal doubts aside, he must find and protect the last living being capable of activating the Ark in time to recover what proves to be their last hope for salvation., Adam Bonoff Paulsen

Submissions from 2009

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Knin - Screenplay by Dallas Bossort - 2009, Dallas Michael Bossort

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Reframing the Disaster Genre in a Post-9/11 World, Matthew James Connolly

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Moving Panels: Translating Comics to Film, Logan Ludwig

Submissions from 2008

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The Tree Makes It Nice: The Cinematic Universe of Terrence Malick, Genevieve Rose Angelson

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Underwall, Benjamin Alan Crane

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Expressive Experimentalism in Silent Cinema, 1926-1929, Lucia Maria Pier

Submissions from 2007

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Suspended Animation, Benjamin Sax