Publication Date
5-1-2008
Advisor(s)
Nakamura, Miri
Major
East Asian Studies
Language
English
Abstract
An analysis of postmodern identity and the aesthetic of surface in the first four feature-length films of Japanese director Kon Satoshi.
Recommended Citation
Kirst, Alexander Anderson, "Anchors Aweigh: The Aesthetic of Surface in the Films of Kon Satoshi" (2008). Honors Theses - All. Paper 94.
http://wesscholar.wesleyan.edu/etd_hon_theses/94
COinS
© Copyright is owned by author of this document