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Submissions from 2017

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Treating the Trick: Choreographic Mechanics of Contemporary Circus, Emily Fearn Butcher

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From Ausdruckstanz to Tanztheater: The Search for a German Aesthetic in Dance, Sonya Belle Levine

Femme Working : Reenvisioning Hystory Through the Subaltern, Rick Hong Manayan

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Abandon and Artifice: Re-Disorienting Pleasure in Dance Performance, Sarah Marks Mininsohn

Submissions from 2016

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Body as Spectacle: The Queer Black Male Body in American Modern and Contemporary Dance, Eury Martin German

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Dancing in Glass Shoes: The Use of Narrative in Story Ballets in Ashton, Nureyev, and Marin's Cinderellas, Sarah Emily Greizer

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Evaluating Community-Based Performance as a Strategy for Community Development, Clara Virginia Pinsky

Submissions from 2015

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Choreographing Family: Performativity and Spectatorship in Interracial Adoption, Tess Anne Clarke Jonas

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A Somatic Investigation of the Cyborg, Stellar Rose Levy

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Monstrous Form: The Ballerina and the Freak, Miranda Kearney Orbach

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Phantom Limbs of Comfort Women: Exploring the Complexity of Pain through Dance, Min Suh

Submissions from 2014

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Psyche Embodied; an exploration of modern dance through a psychological lens, Eleonore Bayles

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Processes of Representation: Converging Social and Performance Identities in the Creation and Performance of Modern Dance, Naya Taylor Samuel

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Bodies at the Intersection of Dance and Illness, Sally Rebecca Williams

Submissions from 2013

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Science Choreography (SC) - Dance and Science in Education, Research, and Performance. Past, Present, and Future of Science-Dance Interactions, Elena Borislavova Georgieva

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Time, Space, and the Body in Atomic Bomb Literature: A Literary and Choreographic Investigation of Hiroshima and Nagasaki, Lindsay Kosasa

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Order and Chaos: Approaching Modern Dance Choreography in American Through a Mathematical Lens, Kelsey Danielle Siegel

Submissions from 2012

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MOVING BODIES, SHIFTING CONTEXTS: Linking Performer, Audience, and Behavior through Dance Performances, Nikolas Charles Ferguson Owens

Submissions from 2011

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Full Body Free Body: Somatic Cultural Praxis in United States Dance Forms, Sarah Kathleen Ashkin

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Dance Installation: An Art Historical and Practical Investigation, Greta Mabel Hartenstein

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Enlightened Visions of the Imaginative Form: A Comparative Analysis of Modern Dance and the Independent Cinema of Maya Deren, Allison Joanne Hurd

The Freak Show: Extreme Performance in Dance Historically and Today, Sophie Hana Sotsky

Submissions from 2010

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The Dancing Classroom: Bringing the Body into Education through the Creative Process, Jessica Marie Brownfeld

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(Re)Defining and Transgressing Norms of Black Female Sexuality, Indee Shaneice Mitchell

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On Architecture and the Dancing Body: Changing Visuality, Sara Beth Rosenberg

Submissions from 2009

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Moving Being, Being Moved: Critical Perspectives on the Practice of Authentic Movement, Shayna Danielle Keller

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The Myth of Le Sacre du Printemps: A Study of Three Choreographers, Janani Celia Lee

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Tongues Assemble: Inter-mediality in Written, Spoken, and Moved Language, Samantha Leigh Sherman

Submissions from 2008

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Locating the Astronaut Body in Space, Rachel Quinn Fischhoff

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Light Foot in the Margins: The Dancing Body in the Modernist Poetic Imagination, Martha Jane Kaufman

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The Touch Project: Performing Gender Across and Through Our Skins, Kelly Perl Klein