Submissions from 2012
MOVING BODIES, SHIFTING CONTEXTS: Linking Performer, Audience, and Behavior through Dance Performances, Nikolas Charles Ferguson Owens
Submissions from 2011
Full Body Free Body: Somatic Cultural Praxis in United States Dance Forms, Sarah Kathleen Ashkin
Dance Installation: An Art Historical and Practical Investigation, Greta Mabel Hartenstein
Enlightened Visions of the Imaginative Form: A Comparative Analysis of Modern Dance and the Independent Cinema of Maya Deren, Allison Joanne Hurd
The Freak Show: Extreme Performance in Dance Historically and Today, Sophie Hana Sotsky
Submissions from 2010
The Dancing Classroom: Bringing the Body into Education through the Creative Process, Jessica Marie Brownfeld
(Re)Defining and Transgressing Norms of Black Female Sexuality, Indee Shaneice Mitchell
On Architecture and the Dancing Body: Changing Visuality, Sara Beth Rosenberg
Submissions from 2009
Moving Being, Being Moved: Critical Perspectives on the Practice of Authentic Movement, Shayna Danielle Keller
The Myth of Le Sacre du Printemps: A Study of Three Choreographers, Janani Celia Lee
Tongues Assemble: Inter-mediality in Written, Spoken, and Moved Language, Samantha Leigh Sherman
Submissions from 2008
Locating the Astronaut Body in Space, Rachel Quinn Fischhoff
Light Foot in the Margins: The Dancing Body in the Modernist Poetic Imagination, Martha Jane Kaufman
The Touch Project: Performing Gender Across and Through Our Skins, Kelly Perl Klein