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Submissions from 2017

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"The Preservation of Memories, Histories, Fellowships, Fraternities": Thomas Hardy and the Victorian Restoration/Preservation Debate, Carolina Elices

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Reconsidering the Dante Series: Botticelli's Artistic Process as a Deconstruction of Vasarian Linearity, Sharifa Turab Lookman

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Haunting the Canon: Landscape, Labor, and the Bible in the Art of Bessie Harvey, Page Nelson

Submissions from 2016

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The 2015 Galleria Vittorio Emanuele II Restoration: Expo Milano's Legacy and the Revival of Civic Identity, Louise Magdalene de Verteuil

Submissions from 2015

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Postmodern Topography: A New Reading of Ed Ruscha's Twentysix Gasoline Stations and Every Building on the Sunset Strip, Alexa Marie Burzinski

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"Time is Now" Paul Thek in the 1960s, Brandon Philip Eng

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Holding Up Govardhana: The Independent Harivamsha Manuscript, Rachel Pei Hirsch

Anticipating Works Unknown: The Foundations of the Contemporary Art Museum, Samuel Colin Usdan

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Conscious Collaboration: The Contemporary Dialogue between Fashion and Architecture, Gavriella Mara Wolf

Submissions from 2014

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NEOCLASTICS: Defining Architectures of Flux, Isadora Simone Dannin

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Progressive Arrangements: Citizenship and the Modernist Museum at the Barnes Foundation, Grace L. Kuipers

Submissions from 2012

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The Manipulation of Sacred Places: The Role of Jerusalem's Temple Mount in the Construction of Identity, Natasha Thomas Camhi

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In a Borrowed Garden: A Rhizomatic Theory of Transnational Tibetan Art, Yongneng Conan Cheong

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Norman Foster and Water Conservation: A Comprehensive Analysis of Sustainable Design, Anne Elizabeth deBoer

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Frederick Law Olmsted: Reimagining the U.S Capitol Grounds, Erika Aya Siegel

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The Fabric of the Bel Composto: Bernini's Draperies and the Redefinition of the Arts, Katherine Jane Wolf

Submissions from 2011

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Of Screens and Stones: Technological Innovations in Lithography and Screenprinting developed in the New York City Graphic Arts Workshop Under the Works Progress Administration, Margaret Anne Aldredge

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Women in the Omnibus and Modes of Printmaking: The Iconography and Marketing of Cassatt's 1891 Series, Margaret Waldo Bowers

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Framing the Dilettante: The Art of Martin Kippenberger, William Lawrence Krieger

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MATERIAL IMMEDIATE: Lawrence Weiner, Anticonceptualist, Sayre Catherine Sears Sundberg

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Corporeal Identities: The Poured Works of Lynda Benglis, Anna Zaida Szapiro

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Private Passage: Service Planning in the Ladies' Home Journal, 1895-1919, Carlo Prescott Urmy

Submissions from 2010

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Transposing the Goddess: A Study of the Modi Bhagavata Purana and the Garhwal Gita Govinda, Meera Priya Bhardwaj

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Perception, Expectation, and Meaning in Barnett Newman's "Stations of the Cross" Series, Jeffrey James Katzin

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Sacrality & Modernity At Villa Giustiniani-Cambiaso, Whitten Robert Overby

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Notions of Method: Text and Photograph in Methods of Connoisseurship, Alexandra Alisa Provo

A Complex Modernity; The San Francisco Federal Building, Emily Sherman Tyrer

Submissions from 2009

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Strategic Ambiguity in Avant-Garde Painting, John Mitchell Beeson

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The Bower of the Pre-Raphaelites: Plant Life and the Search for Meaning in the Art of Millais, Rossetti, and Morris, Sarah Marie Mead Leonard

Submissions from 2008

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Wearing Your Dreams: Image and Imagination in the American Tattoo, Marina Claire Kastan

Submissions from 2007

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Arte Joven, Picasso Joven: Constructing an Artistic Identity, Rachel Kaplan

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Defining a Nation, W. Gavin Robb

Submissions from 1998

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Invisible Women : The Re-presentation of African-American Women in the Photography of Lorna Simpson and Carrie Mae Weems, Obidimma O. Okobi